I'm still hungry.

I should really get up and eat something. Nope. Fangirling.
shanks-for-the-booty:

nico-ya:

this is like some kind of fucking sick fucking bad bad bad joke because fucking literally one fucking fucking piece of this motherfucking puzzle is fucking missing

Well then you better assemble your friends and find a worthy vessel because it looks like you’re on the path to finding tHE ONE PIECE.

shanks-for-the-booty:

nico-ya:

this is like some kind of fucking sick fucking bad bad bad joke because fucking literally one fucking fucking piece of this motherfucking puzzle is fucking missing

Well then you better assemble your friends and find a worthy vessel because it looks like you’re on the path to finding tHE ONE PIECE.

(via jesusfrickingchrist)

humansofnewyork:

"These experiences were so meaningful to me that I don’t want you to soundbite them."

humansofnewyork:

"These experiences were so meaningful to me that I don’t want you to soundbite them."

safirexrose:

I think I wore the right shirt for playing Arkham Horror…  Either that or I’ve jinxed us… #arkhamhorror #cthulhu #tabletop #gaming #nerds

safirexrose:

I think I wore the right shirt for playing Arkham Horror… Either that or I’ve jinxed us… #arkhamhorror #cthulhu #tabletop #gaming #nerds

friendlyneighborhoodgoth:

kenfucky:

THIS IS MY FAVORITE VINE

WHAT THE ACTUAL FUCK

(Source: weloveshortvideos.com, via improbablenormality)

chazzfox:

cijithegeek:

kyssthis16:

yeezysdisciple:

youngbertreynolds:

thempress:



Maybe put it on a canvas instead of someone’s property, and we can all be happy.

who paying for these canvases or the art programs so these kids can have that? Why should it matter if these run down buildings that never get fixed up anyway get graffiti’d? 

Therein lies the issue. Art programs, both visual and performance based, are the first programs to be cut. Canvas ain’t cheap. Neither are the supplies. Much of the graffiti that takes place IS on buildings that are run down. The gov’t didn’t place any value on these properties and yet get pissy with dudes “vandalizing” their shit. You can’t have it both ways, ya dig. 

My father was a garment contractor in LA. In the late 80s, he owned the building where he had his factory. He thought it would be a cool idea to commission local graffiti artists, usually young Black and Latino men looking to stay out of trouble, to paint murals on his buildings. After all, he runs a garment design/manufacturing company, and creative signage is great advertising.
One day, he showed up to the building and the city just painted over the murals without permission or notice.
First, the city told him he couldn’t have graffiti art on HIS building because it brought down property value. After he complained, then they said: ok you can do this, but you need a permit. After he got the permit, then the city said: ok, but you can only use these artists.  Of course, these artists were all White graphic design students from USC, and of course they charged 3x more.
There is a prejudice against this type of art, and it’s racial.  Banksy vandalizes folks buildings all the time, and folks treat him like the Messiah. He ain’t doing nothing new that Black and Brown folks haven’t done for decades.

This whole post…I just find it really interesting! And sad, too, but good thing to read.

chazzfox:

cijithegeek:

kyssthis16:

yeezysdisciple:

youngbertreynolds:

thempress:

image

Maybe put it on a canvas instead of someone’s property, and we can all be happy.

who paying for these canvases or the art programs so these kids can have that? Why should it matter if these run down buildings that never get fixed up anyway get graffiti’d? 

Therein lies the issue. Art programs, both visual and performance based, are the first programs to be cut. Canvas ain’t cheap. Neither are the supplies. Much of the graffiti that takes place IS on buildings that are run down. The gov’t didn’t place any value on these properties and yet get pissy with dudes “vandalizing” their shit. You can’t have it both ways, ya dig. 

My father was a garment contractor in LA. In the late 80s, he owned the building where he had his factory. He thought it would be a cool idea to commission local graffiti artists, usually young Black and Latino men looking to stay out of trouble, to paint murals on his buildings. After all, he runs a garment design/manufacturing company, and creative signage is great advertising.

One day, he showed up to the building and the city just painted over the murals without permission or notice.

First, the city told him he couldn’t have graffiti art on HIS building because it brought down property value. After he complained, then they said: ok you can do this, but you need a permit. After he got the permit, then the city said: ok, but you can only use these artists.  Of course, these artists were all White graphic design students from USC, and of course they charged 3x more.

There is a prejudice against this type of art, and it’s racial.  Banksy vandalizes folks buildings all the time, and folks treat him like the Messiah. He ain’t doing nothing new that Black and Brown folks haven’t done for decades.

This whole post…I just find it really interesting! And sad, too, but good thing to read.

(Source: vandalslife, via riskpig)